It’s hard to cherry pick and put into digest form a career so long and varied as that of Indian born conductor Zubin Mehta. He’s had major stints as music director with such prestigious orchestras as the Montreal Symphony, The Los Angeles Philharmonic, The New York Philharmonic, and the Israel Philharmonic, as well as numerous opera companies. The venerable maestro is now 80 years old, so he’s been around some time. Decca was faced with the task of picking his recordings for that label made slightly before, during, and slightly after his tenure with the Los Angeles Philharmonic: 1962-1978. During his time in California he built the already good ensemble up to world class and helped it to have name recognition from the numerous recordings for the Decca label, the label where Mehta had made early, successful recordings with the Vienna Philharmonic.
I would been fine with a box of all Los Angeles recordings but Decca has opted to take many of those out and replace them with recordings made in Vienna, Israel, and one from New York. So you won’t find the superlative L A recordings of Holst’s The Planets (the best of all of Mehta’s LA recordings), John Williams Star Wars, Nielsen’s 4th symphony, or the plethora of Ives, Copland, and Gershin recordings. You will find from L A the sturdy, exciting, yet sometime pedantic complete Tchaikovsky Symphony recordings, Sweeping romantic readings of Dvorak’s 8th 9th symphonies, and the first-rate, near definitive recordings of the Richard Strauss tone poems – Also Sprach Zarathustra, An Alpine Symphony, Ein Heldenleben (this one five stars for me), and the Domestic Symphony. You will find his magnificent, warm and wonderful reading of Bruckner’s 9th symphony with the Vienna Philharmonic, a stupendous, one of the top-three, performance of Mahler’s second symphony, and the New York Philharmonic in an exciting Berlioz Symphonie Fantastique. With the Israel Philharmonic you’ll get all of the Schubert Symphonies, plus Rosamunde in performances that are sturdy but don’t sparkle enough to make them first choices, and near perfect readings of Tchaikovsky’s music from Swan Lake and Nutcracker from the same source.
One thing in common for all of the recordings: Decca’s amazing 70s recorded sound, microphoned from the conductor’s point of view. Most exciting and overall a big thrill. The low price makes this a set to consider since there are no complete missteps and many towering triumphs.